About me
However, since graduation, I have never stopped exploring AI-based generative technologies. This continuous, self-driven practice outside orthodox academic structures has only deepened my desire to understand how digital media can reconfigure our perception. I have come to realize that I need a rigorous academic environment to transform these intuitive technological explorations into in-depth scholarly research.
In the six images above, I have carried out a deliberate hybrid experiment. Some are moments of reality captured through traditional photography, while others are synthesized by AI algorithms. By presenting them side by side without distinction, I aim to question the boundaries of perception: when the surreal light and shadow captured by the camera begin to look generated, and the textures rendered by algorithms seem richly tactile, the hierarchy between “captured reality” and “computed data” collapses.
My reflection on this is simple yet crucial: I regard “light” (the physical) and “code” (the virtual) as creative materials of equal weight, and I am committed to exploring the blurred zone where the physical world and digital simulation dissolve into one another. The six projects displayed below represent my current practical trajectory: the first four are my initial personal explorations of space, form, and digital symbiosis; the fifth project is a concrete case in which I attempt to integrate generative AI with real-world commercial needs. I am eager to carry this belated yet steadfast curiosity into the doctoral research stage.
Project 1:The different form of clouds
Project 2:Loops
Project 3:Surveillance
Project 4:Symbiosis: The Mountain in the Room
Project 5:Generative Branding: Bauhinia One
Project 6:Forkling paths in the latent multiverse